![]() ![]() That was the breakthrough moment – when he stopped acting and started lying. But after a few takes I asked him to ignore the text and tell me about the ideas that he remembers from the text as if he would lie to me, try to convince me as his interview partner. At first he used the exact words that I had written for him, which didn’t sound natural. We had two days of filming, one day in the laboratory and one day at the amusement park. Leslie Barany was perfect for the role, because he turned out to be a very good liar. I think the most important aspect is the believability of the character. Which were for you the most important elements to accomplish this? You went to great lengths to build a convincing façade for the film. #High altitude conveyance ride tv#And since 15 years I worked for many real TV documentaries, which probably had an influence on me as well. Films like “District 9” or “Children of Men” were a big inspiration for me. It was never my intention to make people really believe that this was real, I just wanted the audience to feel as if they were eye witnesses, to enhance the impact of the idea. So if you choose the most realistic style for a fictional film you automatically get close to a mockumentary. I never was a fan of heavy stylization, I always loved a realistic approach. How did you end up choosing a fake documentary approach? This means, that besides the extended content of the project, it was also an experiment for me to create an absolute art-film-hybrid. Usually my projects are either focusing on the artistic or the cinematic aspect, but this project really lives in both of these worlds. The film world exists at film festivals, in the cinema, the internet and TV and the art world exists in galleries, museums, art fairs, auctions and collections. The art world and film world are very different and usually there is not much intersection between the two of them. Once I had the realistic video clips of the amusement rides I wanted to create an even stronger clash between realism and absurdity. For this project I started with the artistic work, with no specific goal, no purpose, just an idea. Art is about creation, freedom, the imagination and a lack of purpose, while film is storytelling, character and the illusion of an alternate reality. ![]() Purchase a DVD here: /product_info.After you finished the CG rides for “The Experience of Fliehkraft” exhibition, what prompted you to push the idea further and create a film integrating these rides? Interview with Tim Nowak: /interviews/till-nowak-on-the-centrifuge-brain-project/ Steam Pressure Catapult (SPC) from The Centrifuge Brain Projectĭeeper analysis of the film: /shortfilms/the-centrifuge-brain-project/ ![]() Straight face humor pervades this mockumentary that seamlessly combines CG elements composted with live footage. “Well, actually the first day (of the ferris wheel) wasn’t planned out very well…not realizing it was a 14 hour ride, some people fell asleep, missed their stops, and had another 14 hours…”Ĭheck it out. Instead, they build extreme theme parks rides that bend the laws of physics, including a 14 hour High Altitude Conveyance (ferris wheel) that snakes into the sky like the fabled beanstalk climbed by Jack. In The Centrifuge Brain Project, the scientists are studying the effects of centrifugal force on the human brain and development, but they don’t take the typical lab based approach. Written/produced/directed by Till Nowak and starring Leslie Barany, The Centrifuge Brain Project is a great short film done in the style of a documentary. High Altitude Conveyance (HAC) from The Centrifuge Brain Project Gravity is a mistake. ![]()
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